Robo is my film label. I make the films I fall for — the kind that stay with you. I'd love you along for it.
Robo develops and produces its own features and short work — stories with a handwriting, made to last. On other people’s films we come in as a co-producer, not as a supplier. Fewer things, made properly.
Features and shorts we own and steer — from first idea to final cut. Our IP, our pace, our standard.
Where the material fits the label, we join as a partner — with capital, with material, with production capability. What we put in is negotiable; that we put something in is not.
We built a working AI production pipeline for our own films and produce on it. Houses that want their own can have ours: workflow, consistency, rights and cost control — the method, not the output.

// The catalogue grows one story at a time.
The slateEvery Tuesday we post one frame from something we haven't finished. A title, a line, nothing else. Some of these become films. Some don't. You'll see them either way.
Formula One, 1988. Two rivals, one rigged season.
A line cook who stutters loses everything the night he can't call out a name.
The feature version of our 2021 short.
Sardinia. She came home to bury her parents. He came for something else.
Developed & co-produced by Robo Productions · Produced by Black Forest Studios
A harbour town where the old gods still own the water.
// Development artwork. Titles and images can still change.
I started Robo to make the films I love — fewer, braver, made with real care. Every film that carries the name is one I'd happily watch a hundred times over. That's the whole idea — and I'd love to share it with you.
— Robin Wyland, Founder
I'd rather make one film we love than ten we don't.
Stories with heart and a handwriting — never a formula.
Films made to be loved for a long time — my word on it.
Features, shorts, co-productions — write to me. I read every message myself.